Concerts, Musicals and Music Videos on DVD

Woodstock: 3 Days of Peace & Music Director's Cut (40th Anniversary Ultimate Collector's Edition with Amazon Exclusive Bonus Disc)

The film deservedly won the Academy Award for Best Documentary, and it's still a stunning achievement. Abundant footage taken among the massive crowd ("half a million strong") expresses the human heart of the event, from skinny-dipping hippies to accidental overdoses, to unpredictable weather, midconcert childbirth, and the thoughtful (or just plain rambling) reflections of the festive participants. Then, of course, there is the music--a nonstop parade of rock & roll from the greatest performers of the period, including Crosby, Stills, and Nash, Canned Heat, The Who, Richie Havens, Joan Baez, Ten Years After, Sly & The Family Stone, Santana, and many more. Watching this ambitious film, as the saying goes, is the next best thing to being there--it's a time-travel journey to that once-in-a-lifetime event. --Jeff Shannon The three-day Woodstock music festival in 1969 was the pivotal event of the 1960s peace movement, and this landmark concert film is the definitive record of that milestone of rock & roll history. It's more than a chronicle of the hippie movement, however; this is a film of genuine historical and social importance, capturing the spirit of America in transition, when the Vietnam War was at its peak and antiwar protest was fully expressed through the liberating music of the time. With a brilliant crew at his disposal (including a young editor named Martin Scorsese), director Michael Wadleigh worked with over 300 hours of footage to create his original 225-minute director's cut, which was cut by 40 minutes for the film's release in 1970. Eight previously edited segments were restored in 1994, and the original director's cut of Woodstock is now the version most commonly available on videotape and DVD. The film deservedly won the Academy Award for Best Documentary, and it's still a stunning achievement. Abundant footage taken among the massive crowd ("half a million strong") expresses the human heart of the event, from skinny-dipping hippies to accidental overdoses, to unpredictable weather, midconcert childbirth, and the thoughtful (or just plain rambling) reflections of the festive participants. Then, of course, there is the music--a nonstop parade of rock & roll from the greatest performers of the period, including Crosby, Stills, and Nash, Canned Heat, The Who, Richie Havens, Joan Baez, Ten Years After, Sly & The Family Stone, Santana, and many more. Watching this ambitious film, as the saying goes, is the next best thing to being there--it's a time-travel journey to that once-in-a-lifetime event. --Jeff Shannon

Product Description
1969 was a year unlike any other. Man first set foot on the moon. The New York Mets won the World Series against all odds. And for three days in the rural town of Bethel, New York, half a million people experienced the single most defining moment of their generation; a concert unprecedented in scope and influence, a coming together of people from all walks of life with a single common goal: Peace and music. They called it Woodstock. One year later, a landmark Oscar®-winning documentary captured the essence of the music, the electricity of the performances, and the experience of those who lived it. Newly remastered, the film features legendary performances by 17 best selling artists. Bonus content includes: • 4-Hour Director’s Cut of the film • NEW Over 3 hours of New Bonus Content! • 2+ Hours of Performances Not Included in the Director’s Cut Including Newly Discovered Performances in their Entirety from Santana, The Who, The Grateful Dead, Jefferson Airplane, and MORE! (see slide 5 for complete list) • 1+ Hour Featurette Gallery – Woodstock: From Festival to Feature, showcasing interviews with Martin Scorsese, Michael Lang, Michael Wadleigh, Hugh Hefner, Michael Shrieve, and MORE and exploring topics including 3 Days in a Truck, No Rain! No Rain!, Living Up To Idealism and many more! • NEW retrospective The Museum at Bethel Woods: The Story of the Sixties & Woodstock • COLLECTIBLE premium items including a 60+ Page Life magazine reprint, a Woodstock patch, a lucite lenticular display featuring 3 vintage festival photos and more!

Stills from Woodstock: 3 Days of Peace & Music Director's Cut

Woodstock: 3 Days of Peace & Music Director's Cut (40th Anniversary Ultimate Collector's Edition and BD-Live with Amazon Exclusive Bonus Content) [Blu-ray]

The film deservedly won the Academy Award for Best Documentary, and it's still a stunning achievement. Abundant footage taken among the massive crowd ("half a million strong") expresses the human heart of the event, from skinny-dipping hippies to accidental overdoses, to unpredictable weather, midconcert childbirth, and the thoughtful (or just plain rambling) reflections of the festive participants. Then, of course, there is the music--a nonstop parade of rock & roll from the greatest performers of the period, including Crosby, Stills, and Nash, Canned Heat, The Who, Richie Havens, Joan Baez, Ten Years After, Sly & The Family Stone, Santana, and many more. Watching this ambitious film, as the saying goes, is the next best thing to being there--it's a time-travel journey to that once-in-a-lifetime event. --Jeff Shannon This director’s cut of Woodstock: 3 Days of Peace & Music, released to coincide with the 40th anniversary of that legendary concert event, has to be one of the most impressive Blu-Ray releases of 2009 or any other year--and that’s even before you put the discs in your player. The box is designed to resemble a faux fringe jacket (with an iron-on patch attached), and inside are all manner of shiny bells and whistles, including a lucite paperweight with images from the event, a reprint of LIFE Magazine’s original festival feature, and reproductions of various Woodstock memorabilia, right down to notes left by concertgoers ("Please meet me in front of stage. I have your insulin pills") and a three-day ticket to the event. And hey, if you’re looking for subtitles in Finnish, Thai, or Polish, you’ve come to the right place.

The movie itself now weighs in at nearly four hours long, and is presumably the way director Michael Wadleigh wanted it in the first place. The Blu-Ray transfer is definitely an upgrade, as is the soundtrack, which was originally recorded on 8-track tape under less-than-ideal conditions. (Using modern digital technology, audio engineer Eddie Kramer, who was hunkered down in what passed for a recording booth at the Woodstock site, has painstakingly restored the soundtrack--even bringing in some of the musicians to re-play their original parts, as on Santana’s “Evil Ways,” one of the previously unreleased bonus performances. Considering that the event is something of a sacred cow by now, this trick may strike some as blasphemous. Then again, this is hardly the first time that a live concert recording has been sweetened, re-recorded, or otherwise enhanced. In fact, it'd be hard to find one that wasn't. And the additions would have gone largely unnoticed if we hadn't been told about them.) In the end, though, there’s only so much improvement possible, and Woodstock was never about technical brilliance anyway. Nor was it mostly about the music, either. Nor was it mostly about the music, either. There are some terrific performances, from acoustic numbers by Richie Havens and Crosby, Stills & Nash to powerful electric contributions from Santana, Sly & the Family Stone, and Joe Cocker. But the truth is that Monterey Pop, which happened two years earlier, was the more exciting concert, and of the several artists who appeared on both bills (including Jimi Hendrix, Janis Joplin, the Who, Jefferson Airplane, and others), all of them made better music at the California festival. But Woodstock was always less a concert than an overall cultural happening, and Wadleigh and his crew, often employing an effective split-screen technique, do a superb job of corralling and conveying the remarkable atmosphere and spirit of it; you didn’t have to be there to recognize that this was the zenith of the Age of Aquarius (it was also the twilight; with Altamont looming, things would never be this peaceful and idealistic again).

Of principal interest on the second disc will be two hours of additional musical performances, including both additional tunes by those who are in the main feature and appearances by five artists who for various reasons (ego, money, quality, time) never made it into the film at all; of the latter, Creedence Clearwater Revival is excellent, Paul Butterfield and Johnny Winter are good, Mountain is mediocre, and the Grateful Dead, with an interminable (38 minutes!) "Turn on Your Love Light," are awful (a special Blu-Ray-only feature lets users organize this material as they see fit). Meanwhile, "From Festival to Feature," a new, hour-long look at the making of the movie, is absorbing and minutely detailed. The Amazon-exclusive content (included on disc 2) is an additional 20 minutes of never-before-seen performance footage in high definition from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish plus three bonus featurettes. --Sam Graham

Product Description
1969 was a year unlike any other. Man first set foot on the moon. The New York Mets won the World Series against all odds. And for three days in the rural town of Bethel, New York, half a million people experienced the single most defining moment of their generation; a concert unprecedented in scope and influence, a coming together of people from all walks of life with a single common goal: Peace and music. They called it Woodstock. One year later, a landmark Oscar®-winning documentary captured the essence of the music, the electricity of the performances, and the experience of those who lived it. Newly remastered, the film features legendary performances by 17 best selling artists. Bonus content includes: • Customize your own Woodstock playlist!• BD Live Enabled Features Including Media Center, My Commentary, & Live

• Amazon-exclusive bonus content (included on disc 2) with never-before-seen performance footage in hi-def from Grateful Dead, Jefferson Airplane, and Country Joe and the Fish plus three bonus featurettes
• 40th Anniversary Ultimate Collector's Edition includes:
• -Lucite display with images from the festival
• -60-page commemorative LIFE Magazine reprint
• -Iron-on Woodstock patch
• -Woodstock fact sheet
• -Reproductions of festival memorabilia, including handwritten notes and a three-day ticket
• New retrospective: The Museum at Bethel Woods: The Story of the Sixties and Woodstock
• Woodstock: Untold Stories: Over two hours of never-before-seen musical performances by Joan Baez, Paul Butterfield, Canned Heat, Joe Cocker, Creedence Clearwater Revival, Grateful Dead, Jefferson Airplane, Mountain, Santana, Sha Na Na, the Who, and Johnny Winter (Exclusive to Blu-ray: customize your own Woodstock playlist)
• Woodstock: From Festival to Feature: comprehensive featurette gallery chronicling the festival and the filming from start to finish, interwoven with interviews from Martin Scorsese, Grace Slick, director Michael Wadleigh, Woodstock Festival executive producer Michael Lang, and more
• Enhanced BD-Live bonus features

Stills from Woodstock: 3 Days of Peace & Music Director's Cut

Iron Maiden: Flight 666

Taking you on a visual global tour from Mumbai to Sydney, Tokyo to L.A., Mexico City to Costa Rica, Bogota to Sao Paulo, Buenos Aires and Santiago to New York and Toronto and places in-between, you travel with the band and crew on the plane, to and from shows, in the bar and during leisure time, while experiencing the exhaustion and fan pandemonium that comes with such a mission.

As a very special bonus for the fans, Maiden have included a second disc of the entire set from the 2008 segment of this tour with the DVD. Sixteen songs from sixteen different cities in eleven countries around the world, for the first time ever encompassing such varied places and cultures in one concert.
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The Moody Blues Hall of Fame - Live From the Royal Albert Hall

Songs:
1. Overture
2. Tuesday Afternoon
3. English Sunset
4. Words You Say
5. The Story in Your Eyes
6. I Know You're Out There Somewhere
7. Haunted
8. Your Wildest Dreams
9. Isn't Life Strange
10. I'm Just a Singer (In a Rock and Roll Band)
11. Nights in White Satin
12. Legend of a Mind
13. Question
14. Ride My See-Saw

With graying baby boomers becoming key underwriters of viewer-supported television, a staid Public Broadcasting System grudgingly acknowledged the existence of rock & roll in the 1990s. The Moody Blues, via their somewhat heavy-handed, 1993 concert video A Night at Red Rocks, were among the first Woodstock generation acts to end up in constant rotation during affiliate pledge drives. The band's PBS follow-up, Hall of Fame, is an improvement overall. Taped at London's Royal Albert Hall early in 2000, the Moodies' more freewheeling performance this time mixes satisfying selections from their catalogue of hits from 1968 to 1972 with a few Top 40 entries released in the late '80s ("I Know You're Out There Somewhere," "Your Wildest Dreams"). The sheer pleasure of watching the core quartet of Ray Thomas, Justin Hayward, John Lodge, and Graeme Edge ease their way into Mellotron masterpieces from Days of Future Passed, as well as the trippy curiosity of "Legend of a Mind" and the dizzying pop mutations of "Ride My See-Saw," is a study in grace. Backed by the once-fictional London Festival Orchestra (credited as a key musical collaborator on Days), the band eschews grandiosity for a pointed but delicate yearning, and whips up its typically stately tone of cosmic romanticism. The frenzied joy of a mixed-age audience brings smiles to the Moodies' faces and a sometimes-unexpected vigor to their vocals--catch Ray Thomas's booming "Welllll!" during every chorus of "I'm Just a Singer (In a Rock and Roll Band)"--which helps to make this program a treat to watch repeatedly. --Tom Keogh
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Roy Orbison - A Black & White Night (DTS)

Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits, and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late '60s and early '70s touring band. That astonishing lineup is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honor Orbison, not upstage him, resulting in a gratifying cohesion to the performances.

Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue chip admiration society came as much for the caliber of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman," Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely," or conjuring romantic trances through such gentle charmers as "Dream Baby." On this night, he handled all of them with fervor and finesse. --Sam SutherlandFew early rockers were more gifted or less honored in their prime than the late Roy Orbison, whose vaulting tenor and vulnerable love songs conjured heartbreak and desire with operatic intensity. This 1987 concert special, originally broadcast on Showtime, came two decades after Orbison had retreated from pop's front lines, yet neither Orbison nor his music coasts on mere nostalgia: in every respect, A Black and White Night survives as a triumphant performance and a superb video production, as well as a first-rate retrospective of Orbison's hits.

Filmed in black and white against the streamlined art deco stage of the since-demolished Coconut Grove in downtown Los Angeles, the concert is buoyed by a remarkable cast of A-list Orbison fans who signed on as his accompanists. Under the direction of producer T-Bone Burnett, the stage band thus includes Jackson Browne, Burnett, Elvis Costello, k.d. lang, Bonnie Raitt, J.D. Souther, Bruce Springsteen, Tom Waits, and Jennifer Warnes, along with the rhythm section from Elvis Presley's fabled late '60s and early '70s touring band. That astonishing lineup is all the more noteworthy for the restraint with which they collaborate--it's evident that those superstars came to honor Orbison, not upstage him, resulting in a gratifying cohesion to the performances.

Orbison himself sounds as powerful as ever, his soaring falsetto cresting as dramatically as it did on the studio versions of the hits that inevitably dominate. Those songs meanwhile confirm that his blue chip admiration society came as much for the caliber of his writing as for his ravishing voice: if he remains best known for the jaunty come-on of "Pretty Woman," Orbison was first and foremost a rock balladeer, capable of bringing lumps to our throats with such classics as "Crying" and "Only the Lonely," or conjuring romantic trances through such gentle charmers as "Dream Baby." On this night, he handled all of them with fervor and finesse. --Sam Sutherland
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The Rolling Stones - Gimme Shelter - Criterion Collection

By the time Gimme Shelter reached theater screens, Altamont was a fixed symbol for the death of the 1960s' spirit of optimism. The Maysles and Zwerin used that knowledge to shape their film: their chronicle begins in the editing room as they cut footage of the Stones' Madison Square Garden performance of "Jumpin' Jack Flash," and from there moves toward Altamont with a kind of dreadful grace. The songs become prophecies and laments for broken faith ("Wild Horses"), misplaced devotion ("Love in Vain"), and social collapse ("Street Fighting Man" and, of course, "Sympathy for the Devil"). Along the way, we glimpse the folly of the machinations behind the festival, the insularity of life on the concert trail, and the superstars' own shell-shocked loss of innocence.

Gimme Shelter looks into an abyss, partly self-created, from which the Rolling Stones would retreat--but unlike its subject, the filmmakers don't blink. --Sam Sutherland
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Steely Dan - Two Against Nature - DTS 5.1

Full Frame - Color - English - 5.1 Dolby Digital, 5.1 DTSHaving discreetly disbanded at the dawn of the MTV era, the 1970s' most stubbornly faceless pop subversives returned after 19 years with their first new studio album, followed in short order by this stunning long-form video project. Part concert, part documentary, Steely Dan: Two Against Nature offers a savvy cross-section of both old and new material performed by the latest incarnation of the formidable stage bands that founders Walter Becker and Donald Fagen have assembled for the periodic tours unleashed since their early '90s concert reunion. True to form, they preside over immaculately arranged, flawlessly executed performances that confirm the Dan's state-of-the-art standards, then undercut that achievement with devilish audience sound bites and their own faux cable-access interviews, as if to debunk their artistry with a blast of anticelebrity.

For hardcore Dan fans (including this reviewer), Becker and Fagen long ago distanced themselves from rock culture, their music steeped more in '50s jazz and rhythm & blues, and their lyrics pitched to a darker, funnier world-view divorced from youth culture and self-congratulatory rock personae. Fagen, with his close-cropped hair, austere beard, tinted glasses, and prominent incisors resembles a pale, vampiric Ray Charles as he huddles over his keyboards and croons those dangerous lyrics. His partner's longer locks and steel-rimmed glasses reinforce the spectre of a postbop Franz Schubert who's traded clavichords for custom electric guitars--a studious image reinforced by his dry, articulate gibes in the interviews, if undercut by the twisted imagery and shadowy, second-person perspectives pervasive in the band's lyrics (like the music, written by both men, but conspicuously shaped by Becker).

The material hews to the group's later albums recorded after they downsized the band into a de facto studio laboratory and dialed up the jazz accents, with understandable showcases for the sneaky new songs on the Two Against Nature album: sleek, seductive songs about incest, midlife crises, pyromania, designer drugs, and other fun stuff. Sonically, the performances are as meticulously recorded and mixed as the duo's albums, with the performance footage beautifully shot and edited. We'd knock director Earle Sebastian for a few too many tilted camera angles, but then we might have to wait another 19 years for the next one. --Sam Sutherland
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Yanni - Tribute

And that's not all, as the DVD is loaded with bonus features. Principal among them is "No Borders, No Boundaries," a beautifully photographed, hourlong film narrated by actor Christopher Plummer; part documentary and part travelogue, it contains musician profiles, Yanni biographical material, some Indian and Chinese history, and information about how the concerts came about. Other features include a lengthy Yanni interview and discography, as well as audio options. In the end, Yanni detractors are unlikely to be converted, but then, they can always put on their Limp Bizkit CDs instead. --Sam Graham
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Jay Z - Fade to Black

It’s unlikely that the full impact of the live performances will hit home to viewers unfamiliar with Jay-Z and his Roc-A-Fella Records stable of artists. Another frustration is trying to identify the array of visitors who trade raps on Jay’s stage. Included in the star-studded lineup are Missy Elliott, Foxy Brown, Pharell, Ghostface Killah, Beanie Sigel, Memphis Bleek, and R. Kelly. One unmistakable figure--and we do mean figure--is Jay’s squeeze Beyonce, who raises the temperature and the roof with her skimpy outfit, flowing hair, soulful yowl, and sexed-up dance routine that leaves her boyfriend and the whole of Madison Square Garden slack-jawed with animal desire.

Twenty cameras captured the event, and some of the most powerful sequences are sweeping moves across the swirling, blissed-out masses as they lip sync along in perfect unison with Jay-Z’s complex, profane, quick-witted raps. Less effective are intermittent cutaway segments that show the artist in various studio settings working up beats and rhymes. These amateurish home video breaks may give some insight to Jay’s perfectionism and dedication to his craft, but they detract from the visceral power of the beautifully executed performance footage. --Ted Fry
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